Stewart Rothman, an out of work filmmaker who is given the chance to revitalize his "Dead as Elvis" career. The man offering the chance is Jonathan Lyson, a fame-hungry killer, who is prepared to confess to his killings in the form of a documentary. Stewart accepts the proposition and seeks out Max, his trusty cameraman from when his career once flourished. Rothman and Lyson are in no way, shape or form similar...Except for the one thing that brought them together and makes them seem inseparable, their self-destructive ambition for fame.